Sin Palabras (No Words, in English) is about a young man who is forced to spend some days with an old author. The old man seems aloof, and has some trouble using his old typewriter. After a while, the teenager offers to help the writer with his typing work, and the man hesitantly agrees. Continue Reading
Al Compás (To the Beat, in English) presents a rather interesting scenario. There’s a man in an office, and he has with him a few papers. He looks over each one, just like a conductor, and arranges the sheets for his convenience. With the stage set, he starts the metronome. Music plays, the door opens, and the actors come in one by one. Continue Reading
La Mosca starts off with a man furiously typing away on a typewriter. He’s working on his novel, his life’s work. As the night goes by, he reminisces his life, his love, and his pain. Soon, he tires. Just as he is about to drift to sleep, a fly comes into the motel room, and it seems to want nothing more than to keep him awake. Continue Reading
No Mires Ahí (Don’t Look There, in English) starts with Irene, a little girl who loves and worries about her sick father. After some time, Marta, her sister, comes home to hear bad news: that her father has passed on. While talking to her mother about how Irene does not seem to be coping well with the loss, Marta starts to see visions in her bedroom. Continue Reading
Yo Antes Era Bella (I Used To Be Beautiful, in English) is about an old woman talking about her younger days. She talks especially of how everyone thought of her as beautiful, and how she acted in response: from loves, to (non)friendships, to drama. She looks back, and wonders about what she sees. Continue Reading